From humble beginnings in Moradabad to restoring historic monuments, manuscripts, and paintings, Maimunah Nargis blends traditional techniques with eco-friendly materials
NEW DELHI — Art conservation is a field that not only preserves history but also connects generations to their cultural roots. Among the pioneers in this domain is Maimunah Nargis, India’s first Muslim woman art conservator. Her journey is a testament to passion, determination, and resilience, transforming scattered fragments of history into living heritage.
From childhood, Maimunah nurtured an interest in fine arts, which later became both her profession and life’s calling. After completing her schooling, she enrolled in Fine Arts at Aligarh Muslim University (AMU), but facing challenges in gaining admission to the MFA programme, she opted for a one-year diploma in Museology, a decision that became a turning point in her life. This course took her to New Delhi’s National Museum, where a three-month internship allowed her to experience history beyond books, touching and restoring priceless artefacts firsthand.
In 2002, Maimunah began her career as a curator at Jaigarh Fort in Jaipur, gradually establishing herself in the field of art conservation despite societal and professional hurdles. Wearing a hijab, she often faced doubts from clients, who would sometimes withdraw projects even after they had been approved. Reflecting on these challenges, she said, “This was a lesson for me, not a loss.”
Despite taunts when she left AMU for Delhi, her parents’ unwavering support gave her the courage to pursue her dreams, and her mother even accompanied her to the exam centre, demonstrating faith in her daughter’s ambitions.
Over the years, Maimunah has undertaken numerous landmark projects. She rebuilt the 400-year-old wooden chariot of the Lodwar Jain temple in Jaisalmer, which had been destroyed by termites, using traditional materials without the help of a carpenter. She reassembled broken statues from the 6th to 13th centuries in Akbar’s Fort, Ajmer, ensuring the joints remained invisible. She restored a 400-year-old Sanskrit manuscript in gold and ink at Kota Museum, and meticulously conserved the painted ceilings of 11 rooms in Garh Palace, Jhalawar, preserving three of them without removing a single piece or causing any damage.
Her work has also reached modern spaces such as Jaipur and Mumbai airports, where she restored a 5,000-square-foot canvas painting on Maratha history, and at Rashtrapati Bhavan, she preserved historic pictures on wooden doors. At the National Museum, she safeguarded historical books including Baburnama, Akbarnama, Shahjahanama, and Jahangirnama, and brought decayed artworks and royal garments back to life.
Maimunah’s approach to conservation goes hand in hand with her respect for the environment. She has often highlighted that cement lasts only 30 years, whereas traditional Indian plaster made of red clay and lime, being both eco-friendly and cost-effective, could endure for thousands of years. She applied these methods while constructing a building in Dehradun on the site of a 400-year-old mansion and a modern farmhouse in Gurgaon.
Her dedication has earned her three national and 28 state awards, as well as recognition from institutions such as Kurukshetra and Jammu University. Her dreams include building a heritage resort in Madhya Pradesh using traditional materials and restoring a 500-year-old temple in Mathura, aiming to help India rediscover its cultural roots and architectural heritage.
Hailing from Bhajoi in Moradabad, Uttar Pradesh, Maimunah grew up in a simple household but with ambitious dreams. Her father, a UP Police officer, always encouraged her, fostering the confidence to pursue an unconventional career path. Today, she resides in Jaipur, remaining hands-on in her work, kneading lime and plastering walls herself. She proudly states, “I am the only Shia Muslim woman art conservator in the country, and this is my identity.” Maimunah Nargis’s life story demonstrates that with passion, courage, and perseverance, a woman can overcome societal barriers, make history, and inspire generations. She has become more than a name; she is a symbol of culture, dedication, and empowerment.
